Danssa jeunesse, Abraham Lincoln découvre un des secrets les mieux gardés des Etats-Unis : l'existence des vampires. Pris en main par Henry Sturgess, il devient chasseur de morts-vivants. Il finit par apprendre que tous les vampires du pays « ABRAHAM LINCOLN : CHASSEUR DE VAMPIRES », Fantastique / Horreur de Timur Bekmambetov est disponible en VOD (vidéo à la

When I first heard about Abraham Lincoln Vampire Hunter, I thought that it was an alternative history where he hunts vampires, instead of pursuing a political career. When I learned that it was a secret history of his career as a vampire hunter, I hoped that the movie would employ horror to highlight the inhumanity of slavery by showing plantations with barns filled with slaves locked in stalls, where they are drained of blood by their owners. Instead of whites using blacks as a free, self-renewing source of labor, the black slaves would be a free, self-renewing source of food. Disobedient slaves could be threatened with being sent to the barn, rather than receiving a whipping. Sadly, the potential for a harrowing look at the evil of human bondage made palatable for mainstream audiences by the introduction of vampires was replaced by a relentless barrage of action scenes where nameless vampires are killed by Abraham Lincoln. Since it is an action film, the protagonist has to be handsome and charming, a challenge since the real man was neither. Abraham Lincoln was the centre of attention in any group of men, who pressed around to hear his anecdotes, but he became tongue-tied in the presence of an attractive single woman. Instead, Lincoln is played by Benjamin Walker, who presumably was hired to be handsome and charming, and does what he was paid to do. Throughout his life, Lincoln struggled with depression. At ease in court, political events or any large gathering, he was a sad, melancholic man in private. Joshua Speed, Lincoln’s roommate in Springfield, Illinois, commented after meeting Lincoln for the first time that he had never seen such a gloomy face in all of his life. Lincoln’s knowledge of the existence of vampires and the increasingly futile struggle to contain their threat would have explained his melancholic nature and bouts of depression, but that aspect of Lincoln’s personality was left out of the movie. Ignoring the pervasive racism of the time, Will Johnson Anthony Mackie, the screen Lincoln’s best friend is black, and he is a key aide in the White House during the Civil War. The only black who was in a position of trust in the White House was Elizabeth Keckley, Mrs. Lincoln’s dressmaker, who formed a close relationship with the First Lady, and helped found the Contraband Relief Association to support escaped slaves. Not only did the real Abraham Lincoln not have a best friend who was black, he had no relationships with blacks on an equal level. In fact, it was a significant event when Frederick Douglass, former slave and abolitionist leader, was the first African-American to be received formally at the White House during the reception following the inauguration of Lincoln’s second term. A critical weakness with the script is that it takes away the strength of Abraham Lincoln by portraying him as having been a lifelong abolitionist. Even though he had no personal attachments with blacks, spent little time with them by choice, and as a lawyer, successfully represented a slave-owner who wanted the return of his property, he took the unpopular step of emancipating slaves when victory in the Civil War was far from certain, and it would likely deny him a second term as president. Admittedly, he was always opposed to slavery, believing no man had the right to own another man, but Lincoln’s attitude towards the Peculiar Institution, as southerners liked to describe their practice of keeping human beings in bondage based on the color of their skin, changed over the years. Prior to the Civil War, he simply wanted to ensure that slavery did not spread to the northern states, and he struggled against the more radical members of the Republican party who wanted to abolish slavery once the war had started, defending his gradual approach by saying that he had think of the nation as a whole, and the majority of the nation was not in favor of emancipation. Lincoln even stated that he would accept slavery if it would preserve the Union. Emancipation only became a reality once Lincoln recognized that slave-owners, even those who remained loyal to the Union, would never accept any form of gradual emancipation, even if the government reimbursed them for the value of the freed slaves. The book, written by Seth Grahame-Smith, who also produced the screenplay, gained attention due to its catchy title, but was praised for the skillful weaving of historical facts into a story about a vampire slayer. The script kept the vampires but rubbished most of the history, which leads me to conclude that Grahame-Smith thought that movie audiences were only interested in slow-motion violence, special effects and cardboard villains with a minor historical tidbit or two, like the Underground Railroad, to make viewers feel they had learned something because the film is filled with slow-motion violence, special effects and cardboard villains. Most of Lincoln’s political career disappears, his legal career is never mentioned, and the screen Lincoln saw the twin evils of slavery and vampires firsthand because he grew up on a plantation owned by a vampire, even though Lincoln’s father moved from the slave-holding environment of Kentucky to Illinois, where slavery was not permitted to avoid slavery and to ensure that he owned his own land. Aside from tossing any inconvenient historical facts into the dustbin, the action consists mainly of well-choreographed fight scenes where a never-ending stream of nameless vampires charge the fearless vampire killer, each one patiently waiting his turn to move on to the chopping line. This is not meant as a criticism of the fight choreography, but the vampires seem less threatening than the Cylons on Battlestar Galactica the original, funky Battlestar Galatica, not the newer gritty, screwed-up-ending version. In the early stages of his career as a vampire hunter, Lincoln struggles to kill each vampire, but during the dramatic confrontation with Adam Rufus Sewell, the vampire leader, in the middle of the movie, he slices and dices a dozen of the Adam’s best men at once. I have to admit, I wonder about the motivation of Unnamed Vampire Henchman 10 and Unnamed Vampire Henchman 11. After seeing Unnamed Vampire Henchmen 1-9 turned to dust by the tall man with the axe, it seems likely that Unnamed Vampire Henchman 10 or 11 would pause and think “Damn, this guy is good. I’ve lived for centuries, and I would like to live for more centuries, maybe I should get a gun and just shoot him, bet he can’t dodge a bullet.” Nope, it’s just bare fangs, charge, slick choreographed move by Lincoln, slice, and dust. Speaking of guns, did it really take until the end of the movie for someone to figure out that it would be easier to shoot vampires with silver bullets, rather than hack at them with a silver-bladed axe, especially since they are able to disappear and re-appear behind you? Instead of all of that tiring weaving and dodging, chopping and slicing, vampire hunters could simply point a gun at an unsuspecting vampire, pull the trigger, and no more bloodsucking. To be fair, Buffy the Vampire Slayer ran for seven seasons and no one thought of adapting a gun to fire wooden stakes instead of bullets. I miss Buffy. The series of debates between Abraham Lincoln and Stephen Douglas during the 1858 Senate race are famous for the two men’s opposing viewpoints on slavery. While there is a brief scene of the two men debating, the only justification for the vampires’ treatment of African-Americans was that people had been taking advantage of anyone weaker than them for as long as there were people. Technically, it is not a debate, since Lincoln was a prisoner when Adam explained his perspective, but you take what you get. No disrespect to Alan Tudyk, who is a fine actor, especially on Firefly, but he lacked the scorn for enemies and raging aggression that characterized the real Stephen Douglas, who was nicknamed the Little Giant because he possessed an anger and ambition far greater than his size of five feet four inches. If Ian McShane could be shrunken digitally in Snow White and the Huntsman, couldn’t they have done the same for Tudyk, it is not as if a smidgin more of CGI would have stood out in the movie. Speaking of CGI, did the producers get a bulk deal? While sitting through the yawnfest that was the climax, I could not help but feel sorry for the lead actors, who must have been bored silly during the countless hours spent jumping around in front of a green screen. A train needs to reach Gettysburg to save the Union army, so Lincoln and his friends must defend the cargo against the vampire leader and more unnamed henchmen. A train is a naturally claustrophobic set, but most of the action took place on top of the train, removing any possibility of suspense. You have vampires who can turn invisible, narrow cars with only two doors, and gloomy interiors, just add some generic horror movie music to let the audience know when to be scared, the scenes write themselves. Despite huge potential, the actual movie was astonishingly unimaginative. Bursting with countless elaborate and ridiculously expensive action scenes where humans routinely make death-defying acrobatics, the film numbs the mind into submission. To be honest, the number of missed opportunities is simply depressing.

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^{Watch Now RatingGenresAction & Adventure , Fantasy , Horror , Western Director Cast SynopsisPresident Lincoln's mother is killed by a supernatural creature, which fuels his passion to crush vampires and their slave-owning Lincoln Vampire Hunter - watch online stream, buy or rentCurrently you are able to watch "Abraham Lincoln Vampire Hunter" streaming on Disney Plus. It is also possible to buy "Abraham Lincoln Vampire Hunter" on Apple iTunes, Microsoft Store, Google Play Movies as download or rent it on Microsoft Store, Apple iTunes, Google Play Movies online. People who liked Abraham Lincoln Vampire Hunter also liked}

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2007 2 hr 12 min. 6.4 (34,334) 59. In Day Watch the forces of good are the Lights while the forces of evil are represented as the Dark Others. After centuries of warfare the two sides agreed to stop fighting and began a truce. As part of the truce each side set up a guard that would monitor the opposing force to to make sure that no side Midnight Mass. Photo EIKE SCHROTER/NETFLIX It’s the most wonderful time of the year for horror fans As the leaves change color and Halloween decorations go up all over town, people turn to streaming services like Netflix, Hulu, and Amazon Prime for something a little spooky. With horror being one of the most prominent genres in recent years, these companies have increased their original outputs every October — and 2021 is no exception. A new series by Mike Flanagan, a new anthology horror film from the creators of a modern classic, and the returns of Chucky and Michael Myers are only a few of the month’s highlights. Here are the ten most prominent selections, followed by alternates for those who are really ambitious or just don’t want to go trick-or-treating. September 24, Netflix The director of Gerald’s Game and The Haunting of Hill House has become one of the biggest names when it comes to streaming horror. This time around, he’s not adapting a famous work by a genre author but telling his own story, one about religious fervor and creatures of the night. It may not be a Stephen King story, but it has the feel of Flanagan’s favorite writer as it sketches in an island community of lost souls who gather around a magnetic young priest Hamish Linklater just before things start to get weird. The excellent ensemble is filled out with Flanagan’s regular collaborator and wife Kate Siegel as well as Zach Gilford, Kristin Lehman, Samantha Sloyan, Rahul Kohli, and more familiar faces. It’s a fascinating original production in a time when most horror films and series seem to be rebooting something that’s been done before. The only question is if Flanagan can top its success next October. October 1 and 8, Amazon Prime Video Blumhouse appears to have a new annual project with a pair of original double features that drop on Amazon every October. Last year, the Welcome to the Blumhouse banner saw the premiere of films like The Lie and Nocturne, both of which had reasonably strong buzz by the time Halloween rolled around. Will the same happen for any of this year’s quartet? The films this year are Bingo Hell — Genre icon Richard Brake plays a devilish figure who opens a casino in a poor community, which ends up fighting back in unexpected ways. Black As Night — Asjha Cooper discovers that her addict mother has crossed paths with an actual creature of the night. Madres — A pregnant woman in ’70s rural California discovers an insidious secret in her community, courtesy of a ghost in her new house. The Manor – Barbara Hershey plays the newest resident of a nursing home where residents keep ending up dead. October 6, Netfflix Patrick Brice Creep directs this adaptation of the 2017 novel of the same name by Stephanie Perkins that has an inherently creepy and clever premise a serial killer who wears masks that look like his victims. Sydney Park plays a senior who transfers to a small town on Nebraska just as a series of brutal murders starts wiping out kids her age. It turns out that the killer has a unique agenda, as his crimes seem to expose the darkest secrets of the most popular kids at school. Part social-media commentary, part Breakfast Club, and part Friday the 13th, Théodore Pellerin and Asjha Cooper co-star in a slasher movie with a twist that’s likely to play well through Halloween and into 2022. October 6, Shudder The V/H/S series seemed to die a deserving death with the dismal V/H/S Viral in 2014, but it returned with a vengeance in 2021, resulting in the most successful Shudder original to date in terms of streaming numbers. Critics dug it, too, as it cleverly goes back to what worked best about these films, finding new ways to tell original stories via found footage. The first in the series to actually look like it was shot on VHS, the short films here include standouts from Simon Barrett The Guest and Timo Tjahjanto The Night Comes for Us, the former a clever story about a woman at a funeral home on a rainy night and the latter a truly insane slice of sci-fi action that unfolds like the goriest first-person shooter ever made. October 12, Syfy Do you think when Don Mancini co-wrote Child’s Play in the ’80s that he knew he’d still be obsessed with a murderous doll named Chucky this many years later? Having fully taken over the franchise starting with 2004’s Seed of Chucky which Mancini directed, he created the latest project about everyone’s favorite murdering toy, a weekly series airing on both Syfy and the USA Network. A sequel to 2017’s Cult of Chucky, the series totally ignores the recent Aubrey Plaza reboot and continues Mancini’s dark sense of horror humor. Brad Dourif returns to voice Chucky, who has now been purchased by a 14-year-old middle-school student at a yard sale. Carnage will most likely ensue. October 13, Disney+ It doesn’t have to be R-rated to fit the bill for spooky season. Maybe you’re not in the mood for gore or you have kids who want a little scare too. Check out Disney+’s original anthology series that’s based on the graphic novels of the same name by R. L. Stine. All eight episodes dropped on October 13. Seth Grahame-Smith, the author of Pride and Prejudice and Zombies and Abraham Lincoln, Vampire Hunter brings his expertise to the rare anthology show for young viewers. Think of it like Creepshow or Black Mirror but with Disney’s audience in mind. McKenna Grace and Nasim Pedrad co-star in the series premiere, “Leave Them Kids Alone.” October 15, Peacock In 2018, David Gordon Green stole the legend of Michael Myers from Rob Zombie and made a film that ignored everything that happened since the first two Halloween movies, picking up 40 years after “he came home.” Three years later, the middle chapter of what’s now a trilogy Halloween Ends is in preproduction lands in theaters and on Peacock at the same time. Picking up immediately after the end of the last film, it details how Michael escaped the burning house and continued his rampage across Haddonfield, bringing back more fan-favorite characters from the original films, including Tommy Doyle Anthony Michael Hall. Darker and more vicious than the last film, it’s an intense slasher blockbuster that fans can watch at home. October 15, Amazon Prime Video Almost a quarter-century after I Know What You Did Last Summer started a franchise, the concept of a vengeful slasher taking aim at a group of teenagers who covered up a crime returns, this time in series form. Madison Iseman leads a cast of relative newcomers as twins who collide on a fateful night. A year later, one of them has returned home to find messages like the title of the show scrawled on her mirror. Flashbacks reveal the secrets being held by a group of friends in this community, secrets that might get them killed. Scream worked well enough for MTV that it lasted three seasons. Who can blame Amazon for trying the same thing with its ’90s-slasher little brother? October 27, Netflix Kate Siegel also in Netflix’s hit Midnight Mass leads this original Netflix horror film from directors Matt Angel and Suzanne Coote that’s timed to drop just before Halloween. Little is known about the project, but Siegel has delivered in original Netflix material before, including The Haunting of Hill House and Hush. Here, she plays Jenn, a young woman who goes to a hypnotherapist Jason O’Mara for help with her life. Things go wrong. They always do. October 29, Paramount+ Believe it or not, this is the seventh film in the Paranormal Activity franchise, but the series seems to have moved from theatrical to streaming, as this one will premiere exclusively on Paramount+. While 2015’s The Ghost Dimension was billed as the final film in the series, it wasn’t long before Paramount reversed that decision and original producers Jason Blum and Oren Peli returned for another round of found-footage horror. A reboot of the entire series, the latest was directed by the talented William Eubank, who last helmed the Kristen Stewart flick Underwater. Joe Bob’s Halloween Hoedown Shudder, October 10 It wouldn’t be spooky season without Joe Bob Briggs, whose annual tradition includes guest David Gordon Green this year. The Medium Shudder, October 12 Directed by the man who made the excellent Shutter and produced by the man who delivered the unforgettable The Wailing — that’s all that real horror fans need to know to check this out. Day of the Dead Syfy, October 15 George A. Romero’s influential universe gets another spinoff in a Syfy original series about six strangers trying to survive the zombie apocalypse. Slumber Party Massacre Syfy, October 15 Danishka Esterhazy directed this remake of the 1982 slasher classic of the same name — the whole plot is really right there in the title. Night Teeth Netflix, October 20 The Netflix original centers on a freelance chauffeur who discovers that his latest clients happen to be vampires. Locke & Key, Season Two Netflix, October 23 The second season of the creepy and clever YA series based on the Joe Hill graphic novels of the same name. Nobody Sleeps in the Woods Tonight, Part 2 Netflix, October 27 The Polish original slasher film became a hit for Netflix earlier this year, and a sequel is already about to drop. Army of Thieves Netflix, October 29 A prequel to Zack Snyder’s Army of the Dead that focuses on Matthias Schweighöfer’s smart-ass safecracker on a job at the beginning of the undead-emic. Dexter New Blood Showtime, November 7 It’s a bit after spooky season, but save some candy corn for the return of everyone’s favorite serial killer with a conscience, Dexter Morgan, returning to Showtime eight years after the end of the original series. The Best Horror Novels of 2022 So Far Tales of the Walking Dead Series-Premiere Recap See All A Spooky Guide to All the New Horror Streaming This October ^{VideoGame Trailer. 2 min 53 sec. Music Trailer. 2 min 42 sec. Red Band Trailer. 1 min 53 sec}

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